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Produced by Bristol sound co-founder the musician-producer, this sharp-edged if undernourished debut feature casts a critical gaze on 90s rave culture. Self-serving pillhead David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to break into his own family home. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Darkly Funny Confrontation

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, fuming after David kills his dog. Still, a darkly funny standoff takes hold – David desperate to escape; the Woodsman denying his container of cider, determined to dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

There is only one key story turn, but it results in a hilariously staged chaotic run on the forest trails that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the early stages, he now lets rip with the full lysergic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

The film releases in British and Irish cinemas from 17 November.